WEKO3
アイテム
トルコの表紙装釘について（原著）
https://toyo-bunko.repo.nii.ac.jp/records/4869
https://toyo-bunko.repo.nii.ac.jp/records/4869c5c8ae67-4397-4eeb-a1ae-16ef032a0a42
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
gakuho01_44-3-04.pdf (1.2 MB)
|
|
|
|
gakuho02_44-3-04e.pdf (414.0 kB)
|
|
| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2018-07-30 | |||||||||||||||||
| タイトル | ||||||||||||||||||
| タイトル | トルコの表紙装釘について（原著） | |||||||||||||||||
| タイトル | ||||||||||||||||||
| タイトル | Turkish Skill in Bookbinding | |||||||||||||||||
| 言語 | ||||||||||||||||||
| キーワード | ||||||||||||||||||
| 主題Scheme | Other | |||||||||||||||||
| 主題 | ケマル・チュー（著）,護雅夫（訳） | |||||||||||||||||
| 資源タイプ | ||||||||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||||||||
| 資源タイプ | journal article | |||||||||||||||||
| 著者 |
チュー, ケマル
× チュー, ケマル
× 護, 雅夫
|
|||||||||||||||||
| 抄録 | ||||||||||||||||||
| 内容記述タイプ | Abstract | |||||||||||||||||
| 内容記述 | In the Muslim world, the cover of books had shared common traits in binding techniques and decorative motifs until the fifteenth century, after which there emerged independent features peculiar to the peoples and countries. The basic technique was still the same; a few cardboards were pasted together and covered by leather, upon which medal-like patterns were impressed with a stamp made of camel hide. The Turkish book-covers after the fifteenth century, though mostly following the same technique, developed in the motifs and layout of the patterns a feature distinct from those of other Muslim peoples, especially of Iran. In the sixteenth century, particularly under the reign of Sultan Süleyman I, the most excellently decorated book-covers appeared; also developed in the same period was the technique of setting golden or silver covers with gems. From the end of the seventeenth century and in the eighteenth century, beside those traditional techniques, such innovations were introduced as varnishing, laying patterns by embroidery or molding, etc. Also realistic motifs and those influenced by rococo art appeared in this period, and replaced the traditional styles in the nineteenth century. Since the Declaration of Republic in 1923, however, the traditional techniques have been revived with a new spirit and are again producing artistic works of high quality. | |||||||||||||||||
| 書誌情報 |
東洋学報 en : The Toyo Gakuho 巻 44, 号 3, p. 393-407, 発行日 1961-12 |
|||||||||||||||||
| 出版者 | ||||||||||||||||||
| 出版者 | 東洋文庫 | |||||||||||||||||
| 書誌レコードID | ||||||||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||||||||
| 収録物識別子 | AN00169858 | |||||||||||||||||
