@article{oai:toyo-bunko.repo.nii.ac.jp:00006169,
 author = {村上, 正和 and MURAKAMI, Masakazu},
 issue = {1},
 journal = {東洋学報, The Toyo Gakuho},
 month = {Jun},
 note = {This paper discusses the way in which social networks were formed through patronage for actors on the part of literati, the companionship that developed among the two groups, and how such relationships were perceived in the late Ming and early Qing periods. The discussion focuses on restrictions placed upon patronage for actors during the Yongzheng 雍正 era and how perceptions during the Qianlong 乾隆 era about the relationship between literati and actors were influenced by Yongzheng.The Chinese literati frequently patronized actors, an act thought to be reputable, even though the practice was often criticized by moralists. For example, Chen Weisong 陳維崧, the well-known poet of the early Qing period, fell in love with Xu Ziyun 徐紫雲, a servant in the household of Mao Xiang 冒襄, and boasted to his fellow literati about his relationship with the beloved actor. The author analyzes this relationship, using two anthologies, Jiu qing tu yong 九青図詠 and Chen jiantao tianci tu 陳検討填詞図.In order to control the situation, Emperor Yongzheng prohibited bureaucrats from patronizing actors, based on the idea that the social networks and companionship formed through such patronage constituted one cause of factionalism. During Yongzheng’s reign officials were occasionally punished for attending stage plays and patronizing performers. However, the literati themselves continued to admire the relationships that developed between the members of the their station and actors from the late Ming period on. During the Qianlong era, Chen Huai 陳淮, a kinsman of Chen Weisong, decided to collect poetry for the Chen jiantao tianci tu; and a number of high-ranking officials cooperated with Yuan Mei 袁枚 writing the foreword to the collection. They also admired the romantic relationship that developed between Cheng Weisong and Xu Ziyun and the sophisticated poetry written by Such literati as Wang Shizhen 王士禎 and Mao Xiang. Even after the restrictions imposed by Yongzheng, the literati continued to approve of the relationships that developed between themselves and actors through to the late Ming period.},
 pages = {25--52},
 title = {明末清初における士大夫の俳優扶養と雍正帝の芝居政策：近世中国における社会的結合の一側面},
 volume = {89},
 year = {2007},
 yomi = {ムラカミ, マサカズ}
}