@article{oai:toyo-bunko.repo.nii.ac.jp:00005393,
 author = {三根谷, 徹 and MINEYA, Toru},
 issue = {1・2},
 journal = {東洋学報, The Toyo Gakuho},
 month = {Nov},
 note = {The Yün-ching 韻鏡, Ch‘-yin-lüeh 七音略, and Ch‘ieh-yün-chih-chang-t‘u 切韻指掌圖 were published in the Sung period, in addition to the publication of the Kuang-yün 廣韻, Chi-yün 集韻, and Li-pu-yün-lüeh 禮部韻略. The first group is generally called têng-yün-t’u 等韻圖 or yün-t’u 韻圖 “rhyme tables” and the second group is called yün-shu 韻書 “rhyming dictionary”. We can find a reflection of the new system of the finals at that period in these rhyme tables, while the rhyming dictionaries were compiled following the traditional final system. On the other hand, the distinction of the initials was preserved not only in the rhyming dictionaries, but also in the rhyme tables, although we can recognize the remarkable change of the initial consonant system of that period. This conservative characteristic was necessary, in the author’s opinion, to represent the Sanskrit terms by Chinese characters in the translation of the Buddhist scriptures.},
 pages = {01--016(223～238)},
 title = {宋代等韻図の構成},
 volume = {60},
 year = {1978},
 yomi = {ミネヤ, トオル}
}